Americana

On Saturday night with P and her husband, Xn, to the Australia Ensemble’s concert, titled “Americana.”

The program was:

Jennifer Higdon (b 1962): Smash (2006) for flute, clarinet, violin, viola, cello and piano

Aaron Copland (1900-1990): Duo (1970-71) for flute and piano

Antonín Dvořák (1841-1904): String Quartet no.12 in F major, Op.96 ‘American’ (1893)

[Interval]

John Adams (b 1947): Gnarly Buttons (1996)

Obvious odd man out at first glance is Dvořák – but is he really?  I thought of, in another country and another art-form, D H Lawrence’s Kangaroo.

First up, Smash was short, fast (it felt faster than the performance on Youtube) and furious.  I can’t say I was really crazy about it: it seemed pretty made-to-measure for the kind of piece it was – that probably represents my taste/mood on the day rather than any objective assessment of the skill of the writing.

After that, the Copland, all pensive and wide-open-space-ish, superficially reminiscent of similar stuff in Appalachian Spring, (and in a line which can be traced back to Dvořák)  unfortunately failed the cough test on the night.

I enjoyed the Dvořák.

Xn and I independently formed the view that the Copland might have worked better if the first half order had been reversed.

Gnarly Buttons in the second half was the big ticket item for the night, if only (but not only) for the size of the ensemble.  Roland Peelman conducted.  He also chose to make a little speech beforehand about America and the “fake tunes” in the work and “fake news” today.  I suppose a kind of aperçu was intended. To me it demonstrated nothing very much though it got one of those smuggish mild chuckles which jokes in music so often elicit.

GB is practically a clarinet concerto or concertino – a big play and it’s fair to say a triumph for David Griffiths .  There was a lot to absorb and I don’t know if I really managed to take it all in.  I think I was sitting too close to get it all in proportion.

I’m disappointed that this concert is not to be broadcast – Gnarly Buttons especially  was quite an occasion and were it not for recent ABC cutbacks one could reasonably expect that it would have been.

As it happens, Francesco Celata is playing GB at Carriageworks with the SSO later this year.  With luck I shall have another chance to hear it with some memories of last Saturday relatively fresh.

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