Opera Australia 2017

Opera Australia has announced its 2017 season.  That link foolishly describes OA as “unperturbed” by the closure for 7 months of the Opera House opera theatre, which is clearly not the case.

It’s a pretty devastating announcement, so far as Sydney opera-goers are concerned.  In place of the closed Opera Theatre, OA has only managed to secure the 400-seat Playhouse, in which it will stage a pasticcio operetta, the Concert Hall (for three concert performances of Parsifal with big-name tenor Jonas Kaufmann) and the Capitol Theatre in October-November for an 11-performance run of the venerable Oxenbould production of Madama Butterfly (last seen here in 2015). The only other conceivable alternative venues, such as the Lyric Theatre at the casino or the Theatre Royal (which would really be a squeeze) are themselves affected by closures for renovations next year.

There are also a few other one-off events including a concert performance at the Town Hall of Massenet’s Thaïs.

Apart from the pasticcio, OA is staging no new productions of its own. Two new productions are brought/bought in from Covent Garden. One is a bold gesture: Szymanowski’s King Roger; the other, Cav & Pag. Otherwise, Boheme, Tosca and Traviata are all very recent returns.  The Handa opera-on-the-harbour is a repeat of Carmen.

Things aren’t much better in Melbourne with a run of The Merry Widow making up their summer season, though it is a new production with a homecoming Young Talent Time winner.

It’s obviously a belt-tightening year for OA. Will there be commensurate cuts for the upper management’s salaries? Don’t hold your breath.  I wonder whether the engagement of Kaufmann for Parsifal (one can only guess at the cost of this) is judicious as opposed to a defiant gesture.  Terracini says that people will pay to hear quality voices but even so he expects to lose money on this.  Personally I’d prefer that the money were spread a bit more evenly on employing local artists.  Even an expatriate would be more fitting and probably a bit cheaper whilst still being of interest to many even if not such a headline for the non-opera-going public.

No set subscriptions are being offered next year.  You have to make up your own series. When I tried to do that on the website my seats were assigned to me (never satisfactory) [Postcscipt: a commenter has not had that problem so it seems this was just me] which is odd because once I reached the minimum of 3 different productions to make up a subscription I was able choose your own seats off the seating plan. [I then rang up – it cannot have been an easy day manning the OA phones.]

As for my subscription, I’m keen to see King Roger and prepared to see Cav&Pag on account of the new production.  I’m making up the minimum 3 with a point seat for La Traviata which enables me to bag a couple more point seats for King Roger as well as extra seats for D for KR and C&P.  It will all be over by about the middle of Feb.  That’s a big retrenchment (and saving).

OA boldly suggests that subscribers make up the shortfall of available shows with a donation to their usual level of expenditure.  I suppose they can always ask.  The bigger risk is that people will break the subscribing habit altogether.  With any luck Terracini will then be free of that opera “club” for which he has expressed so much disdain.

 

 

5 Responses to “Opera Australia 2017”

  1. wanderer Says:

    The Kaufmann is (as yet) not available to non-subscribers, and not priced. Any info on that now you are in the loop? Three concert performances (and only one day between second and third) – is that ambitious, even with Mr K? With the subscription hook baited, once that catch is complete, then what? – local Wagnerites and out-of-towners I suppose.

    (For the SSO it was two Elektras and two T&Is, as you know)

  2. Jacaranda Says:

    I had no trouble choosing my own seats when I bought a subscription on the OA website. You just choose ‘select your own seat’ when choosing the date.

    • marcellous Says:

      Thanks; I must have done something wrong (unless it’s since been fixed). I’ll correct the post.

      • J Says:

        I bought my subscription on Monday night, which I think was when it first became available.

      • marcellous Says:

        So it was me [grammar fail as well] unless you had some extra key in your brochure (mine still hasn’t reached me) which enabled you to do that. However, I imagine many renewers will have had to hit the telephones this year and some may get a shock if they don’t jump in early.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


%d bloggers like this: